Mada’in Saleh, not far from al-Ula (22 km), was known as al-Hijr, or Hegra, by the Nabataean people who carved its magnificent tombs into the golden Quweira sandstone outcrops. The delicate details on the entrance portals and the smooth surfaces of its 111 tomb façades reflect the great skills of the masons of their time.
The splendor of the natural setting here must have reminded the Nabataeans of their capital, Petra, hewn into the rosey sandstone cliffs to the north in modern-day Jordan. It is no wonder that they chose this very spot to build their second city, Hegra.
Based on the many dated tomb inscriptions, Hegra thrived between 1 BCE -74 CE.
According to Islamic Tradition, by the 3rd millennium BC, the site of Al-Hijr had already been settled by the tribe of Thamud, who carved the structures into rock.
The tribe fell to idol worship, and oppression became prevalent.Prophet Saleh,to whom the site's name of "Madaʼin Saleh" is often attributed,called the Thamudis to repent.
The Thamudis disregarded the warning and instead commanded Prophet Saleh to summon a pregnant she-camel from the back of a mountain. And so, a pregnant she-camel was sent to the people from the back of the mountain by Allah, as proof of Prophet Saleh's divine mission.
However, only a minority heeded his words. The non-believers killed the sacred camel instead of caring for it as they were told, and its calf ran back to the mountain where it had come from, screaming.
The Thamudis were given three days before their punishment was to take place, since they disbelieved and did not heed the warning. Prophet Saleh and his Monotheistic followers left the city, but the others were punished by Allah — their souls leaving their lifeless bodies in the midst of an earthquake and lightning blasts.
Qasr al Bint, “Palace of the Daughter or Maiden,” is the largest tomb façade at Hegra, with a height of 16 m. It lends its name to a group of adjacent tombs. The portal is raised above ground. Above the doorway is an inscription plaque saying that the tomb was carved by the sculptor Hoor ibn Ahi for Hani ibn Tafsy, his family and descendants, in the 40th year of the reign of the Nabataean King Aretas IV (al-Haritha), dating it to circa 31 CE.
Qasr al-Farid, an unfinished tomb that stands alone. The most photogenic and most iconic symbol of Mada’in Saleh is Qasr al-Farid, a single tomb carved into a small dome that stands alone in the open. The façade was never finished, so the heavily chiseled surface of the lower third documents how the tombs were fashioned from the top down.
The Jebel Ithlib is a monumental outcrop topped with a complex of spires in the northeastern part of the site. In the middle is a natural slit that measures 40 m (131 feet), called the Siq, after a similar corridor at Petra. At its entrance, to the right is a square chamber containing three stone benches that served as a triclinium for sacred feasts. Today, the chamber is known as al-Diwan (court). Its large entrance suggests that the feasts extended into the open space before it.
By walking through the Siq, one enters a larger, natural alcove known as the Jebel Ithlib sanctuary where a canal channeled water into a cistern. Its enormous cliff faces have small sacred niches and altars carved into their otherwise unhewn surfaces. Jebel Ithlib was thought to have been a holy place to worship the Nabataean deity Dúshara, “Lord of the Mountain”.
Mada’in Saleh has been s a UNESCO World Heritage Site since 2008.
